Monday, 1 June 2020

Kia Wordsmith Continues!

https://www.kickstarter.com/projects/1693466793/kia-wordsmith-issue-2

The Kickstarter for Dave West's and Ian Ashcroft's second Kia Wordsmith comic is now live and looks to be an exciting continuation of the story. Please check it out here where both issues to date can be ordered!

John Freeman at his Down The Tubes comic news site also features the campaign here.

Sunday, 31 May 2020

Scottish or English Splank?

Splank NHS Thank You art by Joseph McCafferty
Further to my mentions of the newly launched Splank digital comic annual, thought it might be fun to compare the 'Scottish' and 'English' versions of one of my strips!

I have other contributions in Splank 2020, but the panels below come from a fun one-page strip called 'Boom from the Room', which is a hospital inspired piece originally included in Colin Maxwell's CHAS charity comic. The story is fired by children's imagination, regardless of where they are and was originally in black and white and, CHAS, being a Scottish charity, in my native Scot's dialect. It was fun to do and perhaps a homage of sorts to my artistic hero, Dudley Dexter Watkins, of Oor Wullie and Broons fame; Boom from the Room = Broon?


The very talented and reliable Matt Soffe provided the colours and for the strip's new audience, I took the opportunity to 'translate' the dialogue into something more recongisable to most readers, although I do have rather a fondness for the original!

Don't forget to download Splank! for the full story and some 150 pages of comic goodness and also to please contribute to editor Peter Duncan's NHS fundraiser if you are able.

Friday, 29 May 2020

Splank! Annual 2020!

John Farrelly's epic Splank 2020 annual cover!

Delighted to see the coverage that Peter Duncan's Splank! digital comic collection is receiving since it's launch a couple of days ago. It's a monster of a comic collection and just perfect for this warm sunny spell we're (hopefully) all experiencing.

The collection is free to download and is an entertaining diversion for these odd times but also provides a showcase for the contributing artists who, like myself, have lost income through the cancellation of all comic conventions and events and also acts as an NHS fundraiser.

I was delighted therefore to submit a couple of pieces including a special NHS message and, for the first-time, the Matt Soffe coloured version of my one-page strip, 'Boom from the Room', originally a black n white hospital inspired piece for Colin Maxwell's CHAS charity comic. It's fun to finally see it in all it's glorious colour alongside many other talented contributors.


Please check out Peter's contributor links for more information and download a version to read, (I found the Google Drive download option the most user friendly for my kindle) and consider making a contribution if you are able. Splank!

Coverage at the always reliable Down The Tubes comic news site is also worth reading and includes a link to an interview with Peter himself.

Friday, 22 May 2020

Wednesday, 20 May 2020

Watercolours


At or before I attend conventions, I try and do some postcard sized original watercolours of some of my comic strip characters and sometimes I remember to take a picture so here's a few from last year that have all since gone on to find a new home :)


Tuesday, 19 May 2020

Richard Sala R.I.P


I wanted to mark the recent sad news that artist Richard Sala had died. He was a unique comics talent who had ploughed his own furrow in a series of regular and entertaining graphic novels which I greatly enjoyed. His imagination was fuelled by many things, resulting in a unique combination of macabre characters and settings with a strong horror vibe, not explicit, but suggestive and playfully grotesque, reminding you of some old forgotten b-movie.


I think it was his Delphine books where I first encountered his distinctive work. The story was serialised in four large oversize volumes by Fantagraphics just over 10 years ago and I had fun tracking them down as quickly as I could and devouring the story. My curiosity into the artist and his work luckily led me to his website from where he was selling off some of his art and I was privileged to purchase a couple of sequences from the Delphine books I'd been reading and have a few short communications with the man himself.


My interest piqued, I bought as many of his graphic novels as I could find - using the finding of his work in comic shops (alongside other distinct voices of Jason, Rick Geary & Tim Truman), as a kind of 'quirky quality benchmark' whether it would be worth me delving further into that store's stock in the, sadly too often superhero dominated comic marketplace. I was therefore able to build up a decent but still incomplete collection of his work, often with recurring characters and themes, some more succesful reads than others but all a delight to experience and enjoy his artistic talent.


It seems that my appreciation was not alone as there have been several moving tributes made to the man which, even if you are familar with his work are worth a read, even moreso, if you are not, in which case I encourage you to explore the fine legacy he has left.

 https://www.comicsbeat.com/rip-richard-sala/

 http://www.tcj.com/richard-sala-1955-2020/

 http://www.tcj.com/richard/

lhttps://spyvibe.blogspot.com/2020/05/remembering-richard-sala.html

Friday, 8 May 2020

VE Day


Despite the current strange times we're in, it's been heartening to see respects and tributes paid to the wartime generation who clearly suffered way more than we can imagine and still made it through, usually smiling.

I'm from a younger generation who thankfully never knew war or it's effects first-hand but it has of course been an ever present over our lifes through Remembrance, Momuments and tributes. Funnily enough much of the comics I love which entertained me as a child and still inspire me as an adult were born out of conflict and the Second World War in particular.


The Victor, The Hotspur, Battle, Wizard, Warlord and of course Commando were among the most popular, all relaying heroic tales of derring do to an eager readership both immediately after the war, and through subsquent generations. With modern perspective you do wonder perhaps why these were (and to some extent remain) so popular when the generation who had actually fought and lived the experience themselves largely rarely spoke about it. Maybe it was just such an overwhelming event that it was a way for, mainly, children to understand and process events without directly having to discuss it?


Who knows but reading those comics allowed me to gain a respect for those who had fought and learn a little of the tragic events which impacted the whole world in a way we've thankfully never seen, so it's more than appropriate that we pause to reflect and provide our own thanks.

Colin Mathieson artwork, Matt Soffe colours