Showing posts with label Kate Bush. Show all posts
Showing posts with label Kate Bush. Show all posts

Tuesday, 6 January 2015

2014 Moments in Music!

I've been slow with any 2014 'best of lists' so here instead is my 2014 playlist as far as I can recall from my 'go to' pile of CD's. Those who follow such things can check out previous lists for 2013 and 2012 - gosh that sounds so old now doesn't it!

1. DAVID SYLVIAN: Gone To Earth (2006)
2. KARL JENKINS: River Queen (2005)
3. JOHN BARRY: Mary Queen of Scots (1971)
4. JOHN BARRY: Out of Africa (1985)
5. DEAD CAN DANCE: Anastasis (2012)
6. DEAD CAN DANCE: Wake (2003)
7. DOUGIE MACLEAN: Essential Too (2013)
8. LONDON GRAMMAR: If You Wait (2013)
9. KATE BUSH: Ariel (2005)
10. KING CREOSOTE: Scotland With Love (2014)
Mmm, another eclectic mix of soundtracks and old favourites with just a sprinkling of contemporary-ish albums, guess that says a lot about me! Still really enjoying David Sylvian's re-mastered double Gone To Earth album which seems to suite any mood. It originally came out in 1986 and, not being a Japan fan particularly, I missed his solo career only 'discovering' him much later through the excellent Everything & Nothing (2000) retrospective. I'm still short of a couple of early releases while his later work became too experimental for me after Blemish (2003).

I do play soundtracks a lot and find myself listening to classic FM  more and more these days - along with BBC 6 Music of course! River Queen was a Classic FM discovery and is great background music with some stirring moments. The movie it comes from is an odd beast, starring Samantha Morton and Kiefer Sutherland in Victorian New Zealand and the turbulent Anglo-Maori wars. It doesn't quite deliver on its promise but is interesting and both it and its music are worth tracking down.

Through Zulu of course I've always been a John Barry fan with his short Somewhere in Time soundtrack a clear favourite but I finally caught up with his lavish Out of Africa and lessor known (to me) Mary Queen of Scots soundtracks this year, enjoying them both. Out of Africa is a very watchable movie with music to match, although the CD mood is slightly spoiled by a soft-rock number tacked on! I've not seen Mary Queen of Scots for years but the music has it all, bagpipes, recurring themes, stirring motifs even Scott Walker on vocals and has been a delight. It was though very difficult to track down the whole album with a shorter version (without Scott Walker!) more readily available.



Still enjoying my Dead Can Dance brace of albums and last year's London Grammar with this year's big new discovery (to me!) Kenny Anderson aka King Creosote and his From Scotland With Love tv/documentary soundtrack album. I guess this is his most commercial offering but its been the reason for me to finally embrace his music and I've just picked up his acclaimed Diamond Mine (2011) album with Jon Hopkins so not a bad thing - maybe a bit like David Sylvian, I get there eventually!

 
My other favourites were the two artists I saw perform live in 2014, Dougie Maclean and of course a certain Kate Bush! I've been lucky to see Dougie many times, (I think this was the 6th!) and its always a joy to hear and meet him - he normally pops out afterwards to chat and sign CD's etc. He was in demand last year with his famous Caledonia song performed en masse at Glasgow's Commonwealth Games ceremony so this was a special treat.


Much of course has already been said and written about Kate Bush and her totally unexpected return to the stage after some 35 years or so! The performance was very, very special and it was a privilege to witness. Needless to say Kate did not pop out afterwards for a chat but she did seem to enjoy herself and be truly astonished with her rapturous response she received. The show was the excuse I needed to revisit her albums with Ariel, which formed much of her setlist, a favourite.





Sunday, 23 November 2014

Thought Bubbled 2014!

TB14 with the new TB TeePee!
And relax, or maybe I should say stop smiling as that's all I've been done since last week's wonderful Thought Bubble Comic Arts Festival in Leeds, or TB14, to give it its hip tag!

Accent UK have been lucky to attend and support each and every Thought Bubble since its modest 2007 start in Leeds Town Hall basement and while its had its up and downs, (which I commented on last year,) at TB14 everything really seemed to come together to finally deliver the potential the show has long promised.

Build it and they will come....TB's TeePee!

Now don't get me wrong, Thought Bubble has always been one of the most enjoyable and inclusive comic conventions/festivals in the UK but rather strangely, for us, has never produced the level of sales that other, less celebrated shows have. A lot of factors affect this and while Dave and I are experienced enough not to purely judge the success of a show on sales alone, it has been a puzzle and we've often deliberated whether its down to location, attendance, competition or maybe just fatigue, coming as it usually does, at the end of a long convention season.

Inside the TB TeePee - Travelling Man stall

Well whatever the reasons, TB14, blew all our doubts and expectations away, it may have been the innovative new layout - hello TB Teepee! - an increase in numbers or maybe, just finally our range of books 'clicked' with its audience but our sales started briskly with many return readers and steadily carried on the whole weekend. A quick tally at the end of Saturday surprisingly revealed that we'd comfortably thrashed the whole two days of TB13, and by the festival's close we'd more than doubled last year's numbers!

The Accent UK table stock at the start of TB14

Most 'long-time' exhibitors we spoke to were similarly happy but one or two and a few of the newer ones were more restrained in their praise with some table placements and guest queueing said to be problematic for some. I suppose the truth is that with an eye-watering 400+ exhibitors, most with new books, the TB14 competition was fierce and sadly punters have only limited funds so there will undoubtedly be a few casualties, which maybe applies to us too in our previous TB outings?

Certainly I know that despite having a few wanders around I missed seeing lots of people that I'd hoped to catch up with and again failed to see any panels or any of the guests - with a brief exception of White Death's Robbie Morrison and The Goon's creator Eric Powell - which perhaps indicates the scale to which TB has grown.

The new books on the table - note WesterNoir book 4 sold out!

New books always seem to go down well at TB, and this year Accent UK had two, Tales of WesterNoir and Stephenson's Robot, as well as the latest WesterNoir issues which had debuted earlier in the year. Dave and I were again joined by Scott and WesternNoir artist Gary Crutchley, who's enthusiasm is contagious and grin grew bigger and bigger as the WesterNoir sales continued, selling out of the latest, Book 4 on Sunday afternoon.

Andy, Dave and Scott raring to go!

Our table neighbours this year was none other than Andy Bloor, Wolfmen artist and Accent UK book designer, who with writer and fellow AUK contributor, Mo Ali were launching their debut book Midnight Man which seemed to sell very well at the show. On the other side was familiar convention face and another talented AUK contributor Richy Chandler who is really prolific at the moment and one of the UK's rising stars. Further down was another rising star, Sally Jane Thompson, but such was the busy nature of the show, other than a wave and smile I didn't get the chance to chat.

Ed Murphy and Jim Alexander share a moment
Letty Wilson and fellow Dundee Mlitt in Comic Studies graduate Nathan Langridge

I was though able to catch up with many familiar faces at the show and for once won't attempt to list them all but special mentions for recently 'discovered' creators Danny McLaughlin and the Irish Uproar  Comic Crew, Neil & Anna of the Scottish Treehouse Comics Crew, fellow Dundee graduate, Letty Wilson (who was selling the terrific 'Weird Moose' comic I saw her draw page by page at Glasgow Comic-Con in the summer!), Erin Keepers and the delightfully talented Sara Dunkerton (more of whom in a later post!) who were all enjoying making their Thought Bubble debuts. Also pleased to catch up with new comics dynamo Jessica Martin who launched her Vivacity book and the returning talented Portuguese trio, Andre Caetane, Ines Galo and Antonio Silva.
 
Portuguese artist trio of Andre, Ines and Antonio who we'd first met at TB13


Meanwhile here Gary Spencer Millidge & Col share a moment

Returning TB stalwarts included Sean Azzopardi, Matt Brooker (D'Israeli), Mark Buckingham, Gary Spencer Millidge celebrating Strangehaven's welcome return, Selina Locke & Jay Eales, Gary Northfield and the unexpected appearance of the awesomeness of Bridgeen Gillespie whom Dave and I had somehow missed last year and promptly fell out over her last Kate Bush pocket mirror - only joking Bridgeen, I think Dave's going to surprise me with it for Christmas!

Mark Buckingham & Gary Crutchley catch up!

I should look happier here - see the gaps of sold out books!

I could go on but for Dave and Gary's thoughts on the show go here and here and there will I'm sure be lots more reportage out there for those who want it. Needless to say, we had a great time and for us, TB14 has finally cemented its position as the UK's most important and fun pure comics show, well done all concerned, a perfect way for us to finish the 2014 convention season.

The obligatory TB14 haul photo!

Sunday, 21 September 2014

After The Dawn!



I'll post my comics report on Finland soon but just days after returning from Helsinki Dave and I had a short Accent UK rendezvous in London for Kate Bush's triumphant stage return at the Hammersmith Apollo after some 35 years!

There's already been much written about this surprise musical event of the year, suffice to say that we and the whole sold out audience were absolutely captivated by Ms Bush, her band, the music and spectacle of the show.

From the very first moments when she led her backing singers on stage in a marching formation it was clear that she very much wanted to be there and was genuinely humbled by the fantastic response she got. The first mini-set of 5 crowd pleasing songs were performed in a traditional way possibly to give the rapturous crowd a chance to digest that yes it really was her before the real performances began. I won't go into detail just in case you are one of the lucky ones with a ticket still to see her but after those first few songs the show really begins with two major interpretations of her most popular song suites, one recent, one not. These interpretations take in music, video, acting, dance, theatrics, effects and more with many surprises. It was clear to all that we were watching a genius at work and although there may have been one or two sequences which remained a little baffling, there was no doubt that this was something very special indeed.

Never before have I watched a musical performance when you literally did not know what was to happen next and although very familiar with the songs their interpretation brought, (excuse the pun), a deeper understanding. More so when you remembered that much of the songs were being performed live for the first time, some 30 years after their release!

It must also be said that the audience's reactions were also unprecedented, standing ovation's after most songs and the whole positive atmosphere projecting love and goodwill to the stage where it was humbly received.

This really was special and, despite the cost, I'm so glad that I was able to witness it. No doubt there will be a DVD available at some point which if it only captures 1/2 of the shows essence will be worth picking up.

Souvenirs from the performance