Surfing the New York Comic-Con's news on the always informative, The Beat's website and found this enthusiastic posting
of our old friends at Dare2Draw and their NYCC line up including new
artist talent portfolio reviews! Accent UK have been proud to sponsor
the Dare2Draw team's activities for some time now so great to see that
they are continuing their work in giving new talent a much needed break.
Well
worth checking out if you're lucky enough to be at the show - as many
of my Facebook friends from Denmark, Dundee and Staffordshire seem to
be, hope you're all having fun!
It's been some time since
we last exhibited in the US, (the last being the final of our
trilogy of appearances at New York's MoCCA in 2013),
and while it would be great to return, the landscape and economics of
independent comics makes that unlikely at the moment, but never say
never :)
Aha, been doing a wee bit of travelling recently both home and away so had a break from comic shows but now its time to confirm our imminent departure to Finland for the 29th Helsinki Comics Festival!
The trip has actually been on our agenda since meeting some of the show organisers during last year's Copenhagen trip and with the Danish shows normally being bi-annual, we thought why not. This was also in our minds in not returning to MoCCA and the US this year, saving the pennies for a Nordic trip instead.
As it happens after we'd made our decision we'd heard from our good Danish friends about a different comics festival happening there this year, Art-Bubble in Horsens on 27/28 September 2014. This sounds special too but it would be pushing to do two overseas trips in the same year after a busy schedule already taken in Belfast, Glasgow and London trips etc so Finland it is.
Dave West and I will be accompanied by WesterNoir artist Gary Crutchley despite his unease at flying - good job its only a 3 hour flight (I think!), so its all systems go.
We'll be in the main tent for international exhibitors which I understand will be placed in one of Helsinki's central public squares and with free entry promises to be busy. There are special exhibitions planned for the likes of Tove Jansson and Tom of Finland and the festival's spotlight country, Germany so we'll hopefully get a chance to see some of these.
Following Finland we've also confirmed our final comic shows for this year being welcome returns to London MCM in October and Leeds's Thought Bubble in November, where we plan to launch a couple of new books!
Right best go we're flying tomorrow, Finland, Finland, Finland, the place I want to be.....
Well we're truly in the comic convention season now with Accent UK getting set for a return to the Dundee Comic Expo this weekend! The date's been known for a while but confirmation's have only recently been made but I can't wait. I really enjoyed last year's show, (see report here!) and this year promises to be a little different being a joint show with the manga/anime focused Dee-Con.
Dundee Comics Expo 2013
This will again by a solo comic show from me but I may be accompanied by youngest son, who is currently studying in Scotland but I'm looking forward to catching up with the talented bunch of Scottish creators that I'm getting to see on a more regular basis now.
Speaking of Scotland, we're now also confirmed for a return to Glasgow for July's Comic-Con. We've also applied for our regular table at Leeds Thought Bubble which hopefully, under their new revised registration system will avoid the frustrations and uncertainties of last year. Less positive we won't be returning to this year's The Lakes festival as our application wasn't accepted which we're told is a symptom of the venue being small and heavily over-subscribed, so you can't win them all.
Actually looking at last year's record breaking event calendar, we are only planning to return to 5 of the 11 shows attended in 2014! Some such as Copenhagen Comics, (and presumably Carlisle's Mega-Con?) aren't being held this year, others like MoCCA, (held this forthcoming weekend too!) and the London Super Comic-Con are down to economics while as mentioned we've been declined for The Lakes, so a few changes. Its perhaps a reflection of the current healthy number of comic festivals, that all 6 of these shows will be replaced with several new (to us) ones planned, so quite exciting really.
Gary Crutchley's cracking artwork
WesterNoir Book 4 - $100 reward? never!
At the moment, we have no overseas shows confirmed, (unless you count Belfast!) but are currently in communications for a show in a country we've never ever visited before which is exciting, with another under serious consideration, so we'll see. Just need to work on a few new releases to follow WesterNoir Book 4's earlier successful launch......
First glimpse of Martin (Man of Glass) Flink's new book 'The Lizard'!
Hi the 2014 comic calendar is starting to shape up with a few shows now confirmed. At the moment, the definite ones are all within the mighty MCM Comic Con brand with the Accent UK tour bus calling at;
We of course are very familiar with the MCM Manchester and Glasgow shows but Birmingham and Belfast are both new to us. We've not been to the MCM London show since 2010, when I think they had a mere 14,000 or so attending which was pretty impressive but I understand that they're now up to some 60,000+ !!
It's numbers like that and the recent success we've enjoyed at Glasgow and Manchester which helped convince us to make more of an MCM effort this year. It also helps that MCM themselves are expanding with some of these events being new or extended from before. We also quite fancied their Dublin show in April but it clashes with something else, but I think we're doing okay!
This doesn't of course mean that we're only doing MCM shows this year, we're aiming to match last year's total of 11 events, out of a long list of 24! Not all these shows have yet released tables/confirmed dates but we have applied for a further 3 and should find out soon if we're confirmed or not.
It is a fine art deciding which ones to attend and there's a number of factors that determine whether an event is right for us. Sometimes even informed choices don't work out so it can be a bit of a gamble and we've had to carefully look at the calendar and 'drop' a couple of our normal events to accommodate these newer ones. Particularly it was with regret we decided not to apply for this year's London Super Comic Convention and New York's MoCCA. These are both great shows and ones we'd enjoyed becoming regulars at but you can't do them all and its good to freshen things up.
Watch out for more announcements and see what new goodies we can take with us!
Received a great update and photos from Charles D Chenet the other day regarding the latest Dare 2 Draw event held at the Society of Illustrators in New York. Established a few years ago now, this is a great 'not for profit' drawing workshop and mentoring platform available to all artists. It gives them opportunities to connect, hear from professionals, have portfolio reviews and most importantly draw in an exciting live setting with actor/models in a series of short timed dynamic poses.
Charles is ably supported by his dedicated team to ensure the events are professionally run and with their industry connections, a 'top drawer' guest mentor usually attends alongside regular professional artist - and all-round nice guy - Simon Fraser. Last month was none other than Klaus Janson who by the looks of the pictures enjoyed his time in front of a packed house.
Klaus Janson in full flow with host & regular art mentor Simon Fraser
Previous guest mentors have included Kyle Baker, Dean Haspiel, Rebekah Isaacs, Phil Jimenez, Amy Reeder, Bill Sienkiewicz, Paolo Rivera and many more!
D2D's Eric Flores name checks one of the events sponsors!
Accent UK became involved when Dave and I met Charles during our first trip exhibiting at MoCCA in 2011 and we've been proud to support the Dare2Draw initiative since. We had an enjoyable taste of the lively D2D experience when Charles insisted we join him and his team during MoCCA 2012's workshop event and it was a blast.
Can you spot Accent UK in the crowd at MoCCA's 2012 D2D event?
It may be the other side of the Atlantic but its great to be part of something positive for comic artists of all levels to experience and be inspired by. If you live stateside, particularly in the New York area, its well worth checking out. Everyone can get involved by supporting the D2D volunteer team through donations which go towards venue hire, providing art materials and competition prizes.
A taster of The Devastator's analysis - its much clearer on their site!
(click the above image for link)
The always interesting Beat blog has a great link here to The Devastator's analysis of recent comic shows from an exhibitor's sales point of view. This is a rare if not unique occurrence and for anyone interested in comics, festivals and a bit of clearcut comment is fascinating.
Being a US site it of course concentrates on American shows of which only the Emerald City Con in Seattle is one that Accent UK have exhibited at (and it has to be said we found it slow) but its still pretty useful. The site's compilers are at pains to point out that the analysis is based on those exhibitors who responded to their survey, some 46 in total, so the results are not overly scientific but interesting nevertheless.
It would be interesting to have a similar UK survey but as recently commented on, sales, while obviously important are not always the only factor which determines if a show is successful or not. Certainly for us while our Seattle sales were disappointing we were breaking new ground with our first US show and had we been able to follow up, we may well have grown our audience there, similar to what we achieved with our European shows in Copenhagen and almost achieved with New York's MoCCa but its a difficult thing to sustain on available resources, particularly now that our 'home' UK market has a vibrant convention scene of its own.
Enjoy the article and analysis and perhaps give your own findings some thought?
An eager looking Accent UK in Seattle 2010
Howard Burke of Seattle's Zanadu Comic shop has a surprise Accent UK vist
(Zanadu were already stocking our books - Yey!)
Dave made a few new friends on our Seattle trip including the famous Pike Market Pig !
Funny how sometimes a few good things all come together at the same time, all sharing something, a common link, all by a happy accident, well that's how it seems to me recently with Mermaids and I'm pretty sure that's a good thing, although it has to be said that Mermaids can seriously harm your health if you let them!
From left to right above is firstly Gary Crutchley's unadorned cover art for Westernoir book 3 (see the printed version below), the latest in his and Dave West's excellent new series following the exploits of a certain Josiah Black. The book of course is from Accent UK and I may be biased but don't take my word for its excellence, check out the latest reviews here and here. You can catch up with the series from us direct at any of our forthcoming shows or buy direct from our website here, you won't be sorry, the story's gathering pace and Gary's artwork oozes style and confidence.
Next up is the sign of The Mermaid pub from of course the new Edgar Wright, Simon Pegg, Nick Frost movie The World's End which we saw at the weekend. It's a wonderfully silly, sweary, boozy movie, very British (in a good way!) with lots of funny moments and cameos. Perhaps not quite hitting the heights of the earlier classics Shaun of the Dead and Hot Fuzz but still great fun and well worth a look. The World's End Mermaids are very modern in a late 80's school disco way but true to form are dangerously alluring...
Which leads me nicely to Mark Siegel's elegantly old school Sailor Twain graphic novel and the tragic tale of the Mermaid in New York's Hudson river. I was vaguely aware of Mark's book and was delighted to pick up a copy and meet him at this year's MoCCA festival where he drew me a wonderful Mermaid sketch - which I think is worth repeating;
I've now read Mark's book and its a wonderfully dark, comic, dangerous tale featuring the eponymous Captain Twain, the alluring Mermaid with unpronounceable name, steamboats, saucy liaisons and mystery, all told in absorbing pencil and charcoal. Well worth setting a course for!
These Mermaids all offer something different and may be dangerous to approach but can you resist their siren's song?
Dundee - New York - London - Colin strikes a pose around the comics world!
Well after covering some 7,632 miles (according to Google maps!) these last few weeks I'm finally surfacing to catch up on events after flying the Accent UK flag at Scotland's Dundee Comic Expo New York's MoCCA Festival and London's Comic Comiket - phew!
Not sure I've quite recovered, picking up some strange mid-Atlantic flu along the way, but almost there, so thanks to all those who've been in touch, much appreciated. I realise how lucky I've been to make these trips, see some great sights, meet lots of talented creative folks and of course indulge myself in comics, so can't complain really, tired or not!
Too much time has passed to give a full blow by blow rundown and there are already good reports of each show out there which I'll link to, so I'll simply try and cover my thoughts and experiences in one wee post so here goes;
Dundee will always be the home of comics for me, not just because its down the coast from where I was born, but because its where the mighty DC Thomson are based! They were the mainstay of the British comics industry in my formative years and are still hanging in there with the Beano, new digital Dandy and of course the evergreen Commando, so it was a real thrill to take part in this inaugural show in a city which, despite my heritage, I hadn't visited in 30 years!
While this was its first Comic Expo, Dundee has recently held successful lecture & comic study days linked to the University's comics courses and the annual literacy festival with separate (and ongoing) Manga/Anime themed shows, so Dundee is quite a hotbed for comics events.
But being the first expo, organisers Dr Chris Murray and Phil Vaughan wanted to make it as inclusive as possible so tables and more importantly, admittance was free! They were rewarded with a fun wee show attended by some big names in UK comics including Bryan and Mary Talbot, David Lloyd,Nigel Dobbyn and Gary Erksine, the mighty D C Thomson and a good range of Scottish based indie creators and publishers including John and Sha from Black Hearted Press and Jim Alexander who I'd met before at last year's Mega-con show in Carlisle.
Thanks to Nigel Dobbyn for taking this wee snap of our first ever Scottish show table display!
In fact, I needn't have been worried about feeling lonely on my first ever solo show as I soon encountered familiar names, if not faces including the wonderfully enthusiastic Joe Gordon of Forbidden Planet blog fame who I don't think I'd ever met in person before, despite communicating over the years. It was great catching up with him and discovering our shared interest in Sir Richard Burton (no, the other one!) and I was pleased to do him a wee sketch and tickled that his friend snapped up my Zulu comics as my first sales of the day.
Ready for action - DC Thomson's Ferg Handley, Calum Laird & Mark
Sales continued to be brisk in the relatively short opening times, (11 - 4), which made for an unusually quick day but also one where I discovered first hand the difficulties of exhibiting 'solo' - its darn tough, you have to do all the talking and you can't get out, you're trapped behind your table and can't go for the usual leisurely stroll round the rest of the show, let alone have a pee or coffee break!! Obvious stuff but since Dave and I have always tabled together (usually with others), I didn't realise how tough it was on your own, so I hope poor Doug Noble forgave me for pouncing on him when he was enjoying a rare non-exhibiting visit to a comic show as I made haste for the bathroom.
It was then that I discovered the whole other hall and corridor area full of more exhibitors & creators, including the afore-mentioned Bryan and Mary Talbot and Nigel Dobbyn etc which I hadn't seen at all. Perhaps this was for the best as bumping into Graham Neil Reid he recommended that I check it out as some chappie was apparently selling loads of old British comics original artwork which he knew I'd a softness for, but wisely I turned my back and gratefully let Doug escape to enjoy the shows programme of talks that he'd came for.
David Lloyd's Dundee queue
So I finally experienced how awkward it was exhibiting on your own but was rewarded with decent sales and some great chats with interesting folk in a fun half-day or so. Difficult to say how many attendees there were, probably around 300, but enough to give a bit of atmosphere to the place and as a first Scottish show for the Accent UK range, I'd say it was a success.
Congratulations and thanks to the organiser's, who I understand plan to return next year which is good news, allowing me to combine with a visit home to see the folks without risking too many brownie points! Actually an extra treat was catching up with my cousin David who I'd not seen in an age. He kindly joined me behind the table for the last hour or so and gamely didn't complain or appear too bemused by my antics - Comics n Cousins, whatever next!!
See Joe Gordon's comprehensive FP blog show report and his excellent flixr account for loads of pics, Jeremy Briggs, who I somehow managed to completely miss also has pics from the show here.
Finally here's my obligatory haul photo, amazing really since I didn't leave my table for any of these but bought or traded them from where I stood, - see I'm learning!
A mere 36 hours after returning from Scotland it was off to the airport and New York's MoCCA fest, exciting stuff! This was to be our third consecutive year exhibiting but sadly Dave couldn't make it this time leaving just Scott and I to do the honours.
MoCCA is (I think) in its 11th year, but this was to be its first under the control of the respected Society of Illustrators, ('SoI') who had come forward when the previous committee had run into difficulties before and following last year's show. The SoI had impressed in their pre-show communications so we were cautiously optimistic about things, so how was it?
Well they certainly made a fantastic job of 'tarting' up the venue, a large imposing regimental army hall, and 'tarting' is appropriate as behind all exhibitor tables were hung rather lovely red drapes like a large theatre or boudoir - although I kept thinking of Twin Peaks! However the drapes really worked to dress the otherwise cavernous venue, seperate out the aisles (which also sported new hanging signage) and dampen noise, so plus marks for that and the clever addition of a 'pop-up' art gallery of original comic artwork and a couple of cafes with small seating chill out areas, so far so good!
Part of the impressive art gallery
There was however a wee problem with the table layout as they had forgot to leave 'gaps' for exhibitors to come and go, meaning that you either had to run a mini gauntlet behind the tables or risk your dignity by crawling under the tables. Not ideal and its a shame that such basic issues are a regular occurrence at comic shows throughout the world, still after my solo stint in Dundee I wasn't complaining too loudly, as any route for freedom, no matter how narrow was very welcome!
Cliodhna & Jasmine & those drapes!
Me, Scott, & more drapes!
Scott and I were fortunate to again find ourselves tabling alongside Cliodhna Lyons and her good chums, Jasmine and Chris Vollherbst, who after dipping their toes in exhibiting at last year's show returned with a very impressive array of creative goodies, well done folks!
As we looked round the hall and exhibitors listed in the glossy programme, we were though struck by how few names we recognised from previous year's shows, bearing in mind that we are really still 'newbies' ourselves, there didn't appear to be that many long timers there, with the exception perhaps of indie publishers including, Abrams, Drawn & Quarterly, Fantagraphics, Fanfare/Ponent Mon, NBM, Top Shelf. The 2012 show had clashed with Stumptown with many choosing it over MoCCA and perhaps, given the change in leadership, a good few had decided not to return. I may be wrong of course on this point but among the 300 tables, I didn't recognise that many faces?
Lars Jacobsen & his fun Mortensen series
Sussi Bech and Husband Frank Madsen
A welcome exception to this was the Danish Guild and Swedish Comics Association with their crew of friendly creators, many of whom we know from our regular trips to the bi-annual komiks.dk festival, now re-named Copenhagen comics and returning this June. It is always a delight to spend time in their company even if we are jealous of their Danish arts council funding which sponsors their trip!
As the show progressed, there was a noticeable positive atmosphere and steady streams of people coming through the doors on both days, certainly feeling busier than last year which had been 'flat' at times. However very oddly we noticed that sales were slower than before, this despite the crowds and lots of attention, business cards, questions and good conversations etc. At shows the challenge is often to engage with folk to encourage them to stop and browse your books and, although I've never studied it, you may get a sale for every 3rd or 4th such person. This year the issue wasn't getting folk to look but to buy, with sales conversions maybe only every 7th or 8th browser?
This was a little worrying and chatting to others seemed to be the general pattern (with one or two exceptions such as certain popular prints and Adhouse's Boulet 24 hour comic book which literally flew off the table), so it was sadly no surprise that our sales for the show ended up being down from the year before and well down from 2011, our first year, when we'd all but sold out of stock.
the Accent UK MoCCA table 2013
Its difficult to fully understand why, we had lots of interest and repeat customers and sold copies of each book we'd taken but it seemed that the 'big' money wasn't around, it may have been after the entrance ticket prices and souvenir programme, folk were being a little careful with their spending or it may be that with more of an art/illustration focus, the show had attracted a different crowd. Of course it may simply be that folks didn't respond to our new books in the way that we'd hoped and the way they had in previous years?
Bill Griffith of Zippy fame signing at the CBLDF booth
One further observation may be that the guests of honour hadn't set the heather on fire (as they say in Dundee!), further discouraging the more general comic fans from attending, certainly it struck me a little odd that while the likes of Karen Berger, David Mazzucchelli and Paul Pope were in attendance (as judges for the new SoI awards), and others like Charles Burns, Jim Salicrup, Kim Deitch, (and no doubt others) were wandering around, I'd not seen any of them listed as guests in the pre-show advertising?
Paul Pope, David Mazzucchelli & Karen Berger get ready to judge!
I may of course be wrong on these points and the SoI are fully entitled to concentrate on who they want but I would hope that in the likes of New York, there are many more well known potential guests without a hint of spandex who would help draw the crowds, that and a lower ticket price, could see this show soar to rival the likes of TCAF, SPX and all so we'll see...
Both my favourite USA comic sites, The Beat and Comics Reporter were in attendance and have several reports on the show here and here, (and check out Secret Acres view) and while I (still) didn't get a chance to speak with Heidi or Tom, I did catch up again with Jimmy Aquino of Comic News Insider who is a great guy and supporter of all things British.
There is more to say about this year's MoCCA and various other potential useful contacts and creators but for now I'll wrap up this bit with the obligatory photos of my hauls and scrawls;
Completing our trilogy is Comiket, Paul Gravett, Peter Stansbury and Megan Donnelly's comic marketplace which accompanies their respected Comica festival. Like MoCCA, the festival is over 10 years, with the one day Comiket's now held twice a year, nicely bookending the UK season. We attended our first one 6 years ago and while always held in London, the venues frequently change with this one at Central St Martins College, being the 4th venue in 6 shows we've been to.
We'd thankfully no hiccups in travelling and walked to the venue, behind Kings Cross station from Euston. The short walk in rare London sunshine was pleasant enough but finding the entrance to the College and show proved a little difficult, following the makeshift signs, round a few industrial corners then into the room behind the room. Being paranoid types, we and other exhibitors expressed concern whether this latest change in venue would be too far off the beaten track for even diehard comic fans to find and feared the worst.
Its this way chaps!
Erm no, this way!
Sure enough the show started slowly, as most tend to, but we made a few early sales to keep us from worrying too much and gradually things improved as it got busier and busier, particularly after lunchtime, paradoxically just when the sunshine outside was at its best - what is it with comic fans and need to avoid sunshine or maybe Twilight has something to answer!
In any case we did pretty well in the end with several titles selling out and by the 7pm close we only had 5 books in total left - phew, our best ever Comica!
Dave n Col reunited! - pic courtesy of Orbital's Camila
It was nice being reunited with Dave behind the table as I've discovered he does have his uses after all and allowed me to have my customary little wanders round the halls, although typically I missed a good chunk of the show but did get to say hi to Dave O'Connell, our own Thaddeus Mist posse of Owen Johnson, Connor and Lizzie Boyle plus John Maybury, Darryl Cunningham (also a MoCCA attendee!), Rob Jackson, Alex Finch, Joel Meadows (with whom I had a good chat and photo-shoot!), Orbital Comic's Camila, Doug Noble (fresh from his Dundee stint at the Accent UK table), and others, as well as meeting a couple of promising new creators with impressive work on display.
Me & Stephen Collins with his 'buzz' book
of the show about evil beards - gulp!
The enigmatic Rob Jackson and Doug 'Dundee' Noble!
In a happy accident, our table neighbour was to be Cliodhna, fresh from MoCCA but unfortunately a runaway cat had caused her to miss the show and return to Ireland, leaving her able brother, Connla to run her stall on her behalf and a fine job he did too.
Connla sitting in for Cliodhna
Speaking of fine jobs, the Comica crew really pulled it off, a great turnout in a new venue on one of the hottest days of the year. They've struck a winning formula with these shows, free entrance, varied selection of exhibitors and artists taking part in the live on stage drawing parade, with amongst many other indie folks a certain Frazer Irving doing a stint this time and the likes of Keiron Gillen, Jamie McKelvie and Rian Hughes casually walking the floor, soaking up the relaxed vibe.
Andy at Broken Frontier has a wee report of the show here and Rich Johnson of Bleeding Cool fame has posted a cool roving video of the proceedings here;
Colin's Comica Comic haul!
Summary
Well thanks for reading if you've made it this far in my longest ever post! All I can add is that each of the three shows were great fun to be part of with different experiences and a great diversity of comics and creators in attendance, reinforcing what a special time it is for comics at the moment.
Would I recommend or return to the above shows? Certainly Dundee and London will be on our itinerary next time (assuming both shows return) and if these are easily travelled to from your home base, they are well worth going to. New York and MoCCA is sadly a little harder to justify, at least from a UK perspective. If you can combine it with a holiday and (like we do) whizz round a few comic stores to raise your profile, its worth a go but maybe not every year. I would hate to think that we won't ever return to MoCCA, as its got the makings of a really special show, but we'd maybe have to tailor things a little and carefully review the costs involved, so we'll see.
Is there a secret of running a successful show? I doubt anyone can really say for sure but being well organised, having a wide ranging appeal of guests, exhibitors and books can't harm, but the most important element has to be the public, without them there simply is no show. That's why free or cheap entrance fees are a must wherever possible to encourage the casual browser to step into this crazy world of ours!
Finally a big thank you to the organisers and volunteers of the above (and all!) comic shows who put in a sterling efforts to make these special events happen, Cheers!
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