Wednesday 14 March 2018

Just got in from The Emerald City!


Phew! Scott and I are slowing recovering from our epic trip last week to Seattle's Emerald City Comic-Con which was fun and a real inspiration. I wasn't tabling, so was attending purely as a 'punter' for the first time in almost 20 years!


While not 'working' the show felt really strange, particularly on the first day, once we got into our stride and studied the informative programme, Scott and I found ourselves kept occupied throughout the show's 4 days! We wandered about the always interesting show floors, casually exploring the mammoth Artist's Alley and caught several panels amongst many other things. In fact having the (sold out) 4 day pass and not being tied to a table made us really relaxed despite the massive crowds - estimated at 95,000 - so we could see the whole event without constantly dashing around or clock watching and this made for a far more enjoyable experience than normal.

A happy Scott at ECCC18!

I was particularly interested in both comparing how the show had evolved since Dave and I had boldly accepted a last minute table share at ECCC way back in 2010 and also how ReedPop, the event organiser's approached things, being as they've recently bought over the UK's MCM series of events that we regularly table at. A further level of interest was added by our confirmation of our own artist alley table at next month's C2E2 event in Chicago which again is organised by ReedPop, so there was a lot to take in for me at the show. A lot of my questions were in fact addressed in this well timed Forbes magazine article with ECCC's show directors which you may also find interesting?


As the above article clearly indicates and our experience confirmed, thankfully comics remain 'front and centre' of ECCC. From the huge comic publisher booths (Dark Horse, Image, Boom etc etc), the dealers with their eye-popping golden and silver age comics to the sprawling Artist's Alley (500 tables and counting, mixed fairly even between pros and indies) to all the many comic-centric cosplayers, there was no doubt that this was a comics-focused show. It might seem odd to mention this in the context of describing a 'comic-con' but the term has become overused and, particularly in the UK, a 'comic-con' can frequently feature just merchandise stands, fan art and a few D-list celebs with no hint or pretence to showcase actual comics or comic creators so to wander about an event of this size and be surrounded by all things comics was both refreshing and genuinely inspiring!


Yes there was of course merchandise but, with the exception perhaps of Funko, they weren't allowed to dominate and much of the non-comic items were actually grouped together under a 'Homegrown' banner and alley (similar to the UK's MCM Comic Village) to showcase their home made crafts, plushes, t-shirts, models and even on tap crafted beer! Here you could meet and discuss the works with their makers which again felt special compared to hordes of mass produced product.

Hulk guarding the Funko booth!

I mention Funko who's Pop figure collectibles have really exploded these last few years and in some ways are held to be an example of  what's wrong with a 'comic-con' in that they are often seen to dominate the show floors (again particularly in the UK) but you can't deny their popularity and they are, for Seattle, a local business being established in nearby Everett, (yes we did visit Funko HQ after the show, did I mention that Scott is a huge fan!), so in the case of ECCC, I think they can be excused, they had a huge booth with a carefully co-ordinated and ticketed queueing system so as to not interfere too much with their neighbours and they were an important attraction at the show, much in the same way as their near neighbours Weta Workshop (all the way from New Zealand no less!) and Dark Horse Comics etc.


David Tennant & Billie Piper draw a crowd!

Even the actors, another popular attraction, weren't allowed to dominate and had been located across the street in the plush Sheraton hotel where there was a strict 'no photos' policy enforced but it was still a bewildered treat to wander about and see the likes of Christopher Lloyd and sundry Walking Dead, Harry Potter actors with their huge lines of fans waiting patiently for an autograph or photo shoot. David Tennant and Billie Piper appeared to be major draws and had their own signing rooms but we saw them being interviewed back at the conference centre's main theatre auditorium which was packed to the rafters (maybe a 5k+ crowd?) with giant screens and all!

Colin meets Onrie on day one of the show

There's a lot more I can say but I've already written a lot so here's a couple of quick shout outs to awesome sales beast Onrie Kompan who we were able to catch up with for dinner along with writer, musician and audio producer Travis Vengroff. Onrie sold an incredible amount of comics at the show as he does almost consistently across the US (check out his blog and youtube channel) so it was great to swap stories and tactics with him, also caught up with Arni from Denmark's comic buddies, Sara Richard, Jarrett Melendez, Ben Templesmith and meet for the first time the likes of Janet (Dapper Men) Lee, Ted (Courtney Crumin) Naifh, Adam Knave, D J Kirkbride and others!

Onrie sold out early Sunday afternoon - an incredible 1,300 comics & graphic novels!

Also of course, Mike Garley and Martin Simmonds from the UK who were tabling in AA for the first time and enjoying the experience and schmoozing. Scott and I joined Mike & Martin for a fun dinner one evening too which was amusing for among other things, the 3 of them all being ID by the barman before being allowed to order alcohol - sadly one of us wasn't ID as considered an old man, guess who :(

I think I've always been a rebel at heart!

Oh and I finally got a chance to have a chat with The Beat's very own Heidi MacDonald after all these years after she moderated one of the excellent panels I attended, see a write-up of which here (of the panel, not my chat!).

Scott meeting top comics writer Brian Michael Bendis after an epic queue!

So as you can tell we very much enjoyed the whole experience which hopefully bodes well for both the UK's MCM shows and our own forthcoming Chicago trip.

2 comments:

  1. Great write-up, Colin. Sounds like you had fun(ko)! I'm not sure I could survive a comic show for 4 days as a punter.

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  2. Well amongst the towering art, crowded aisles and frantic search for food & water, it did feel like a 'Lost Expedition' at times but thankfully we emerged unscathed and succeeded in our (Funko) quest! :)

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